She was eaten by cannibals, bitten by Dracula, and raped by Victor Frankenstein. I adore her.
I am talking of course about English model-turned-actress Veronica Carlson, the most delectable of all of Count Dracula’s victims. Her movie career wasn’t long, but she made a lasting impression on countless adolescents in the 60s, many of whom, now grown, still look forward to watching Dracula Has Risen from the Grave for a really good stroke session.
Hammer, the film studio where Carlson did her best-known work, worked wonders when it came to dignifying luridness, which is what you’d expect from the Brits, wouldn’t you? The British were never sexier than in the 60s. I miss that.
It’s Veronica Carlson’s deeply sexy love-trance gaze at kindly Peter Cushing that makes this publicity pic spring to life. Photo session was done following shooting of their utterly gratuitous, dramatically unfeasible but vigorous rape scene in Frankenstein Must Be Destroyed (1965, Terence Fisher, dir), which made the most of the gorgeous Hammer star’s drawing power.
As for Elisabeth Lutyens, she tells her own story in this short interview with the BBC. Her work for Amicus films is best exemplified by her theme for Dr Terror’s House of Horrors, above. But this short piece is much more to my liking and demonstrates her superior musical gift.
“Lament of Isis on the Death of Osiris”
composed by Elisabeth Lutyens, 1969
- “The Story So Far, with Conductor John Wilson”
- “The Story So Far; Or, Conductor John Wilson—His Limits”
- “Cantara Christopher Gives Her Beloved Conductor John Wilson Crib Notes on Todd Field’s Screen Masterpiece, Tár: Love, Teshuvah, and Filipinos Will Save Western Music”
FULL DRESS // A gifted mesmerist—a sinister composer—a naive young conductor from the north…inspired by an episode from the life of Rachmaninoff // DOWNLOAD FREE BOOK POSTER