A Sexy NYC Memory to Celebrate My 3rd Anniversary of Falling in Love with Conductor John Wilson; Plus the BBCSO Doing Elgar’s Bach Fantasia; and Theatre of Blood (United Artists, 1973)

From 4 May, 2021. In one of my old postings (“On Conductor John Wilson’s Full Dress and The First Porn Movie I Ever Did, 1”) I said something about a certain hot tub party being only the second time a man ever gave me his business card before we had sex… Well, this was the first.

It happened one evening in July, 1973. I was 18. I had just gotten that job as night solfeggist at ASCAP only a couple of weeks earlier, which is in itself a very interesting story I’ll have to tell you one of these days. Only now let’s get back to me walking down Broadway from 63rd. I loved walking home to the Village after work on a summer evening, when all of midtown was still buzzy with life and good times. After the night shift, some of my fellow solfeggists would go across the street to O’Neal’s Balloon to drink with the fancy Lincoln Center crowd (here’s my own favorite table showing up in Annie Hall), but I got a bigger kick being below 54th with all the theater people. On this particular evening I was approaching 46th…and right there on the corner of 46th stood a really good-looking guy, tall and blond and nicely dressed, who seemed to be scoping out one by one all the passers-by. For some reason he lit upon me. He got my attention. Then he asked me if I knew where a good jazz club could be found, the way you might ask any passer-by about a mailbox or the way to the Empire State Building… I told him I was new in town. Then he suggested we (“we”!) buy a newspaper and sit down somewhere and check the listings together. Oh, I was game. My first New York adventure! We went across the street to Howard Johnson’s where he bought me a hamburger and told me about himself. He told me he was an agent. He’d just put his client on the plane that day—his client having just been on The Dick Cavett Show promoting his new film, a comedy-horror flick that’s now a classic—and he himself was going back to London in the morning. He told me his client’s name, which I recognized at once, and then he gave me his card, which I kept for years until I gave it to an actor friend who said he was “looking for a UK rep”… Then he asked me about myself, all the nice polite questions a man’ll ask you beforehand… But we also talked about show business, shows, show music. I told him I liked Man of La Mancha. Having found no jazz clubs worth going to that night, we left HoJo’s and walked over to 5th Avenue, where we strolled back to his hotel room at the St Regis. I was ready for anything, expecting nothing. Even when he pulled the line, “Let’s get out of these hot clothes, shall we?” with that gorgeous limey accent of his, I still wasn’t sure we were on the road to making it…until we started making it. At that point we hadn’t even kissed. But oh, how he made up for it! I wasn’t a virgin, but here was the first man I ever slept with who actually knew how to take his time pleasuring a woman. By the time I was under him, gazing down at the back of his incredibly sexy legs, an electric shock went through me, and for the first time in my life, I orgasmed. So that’s the story of my first New York hookup. We parted in the morning, wishing each other well, and I even made it back to the boarding house in time for breakfast. A perfect sexual encounter with a happy ending.

I’m telling you this, John, because what Michael Linnit made me feel that night is nothing compared to how you made me feel when you conducted Elgar’s Bach Fantasia in Sydney three years ago. I’m not kidding. I had just fallen in love with you when I saw you shimmy to a Jule Styne tune in some video… But this time (it was about 2 weeks later) there was only you and the music on the radio. I’m not even crazy about Elgar, I was waiting for your Prokofiev. But I was so keyed up—for the past couple of weeks I had been vibrating with desire for you—that when a certain chord was played in the Elgar, a wave rolled through me, it was just so yummy… But that wasn’t all. As I lay there gasping, a little voice in my head went, You fool! Don’t you remember who’s doing this? And so I came again, this orgasm coming over me like a wave meant to drown…and I reached for you and knocked the lamp off the night table.

One day I’ll tell you about the other times (Vaughan Williams, Richard Rodgers). But I just wanted to let you know now how much you’ve meant to me, how much you still mean, even when you’re not wearing full dress.

Elgar GirlAbove Cantara and her lust: Elgar’s Bach Fantasia played by the BBCSO under Leonard Slatkin. And here’s the score.


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More Crib Notes Just for My Beloved John Wilson, Conductor: “La Borinqueña” in Steven Spielberg’s West Side Story (2021) Plus My Own Brush With the FALN

The scene pictured/heard below is one of the reasons Steven Spielberg’s West Side Story (20th Century Studios, 2021) is the film version that resonates with me more than any other film version that ever was, or will be.

La Borinquena in West Side Story

Above the Sharks: The soundtrack version of the anthem of Puerto Rican independentistas, “La Borinqueña”. And here’s the same anthem in a sweeter version


For one thing, the music remains intact. In fact, the music is better arranged and better placed in WSS2021 than in the 1961 version. More on that later.

For another, the script—meaning the dialogue, character arc, exposition, etc—is far, far better in the hands of Tony Kushner, not only a brilliant scenarist, but a stone New Yorker of my generation, and one of the few writers who knows how to take a big chunk of America in all its complexity and give it back to us in digestible form, no mean feat.

I have other reasons to like Kushner. He scripted the role my son’s godmother was most famous for—the original Angel in his stage work about the AIDS crisis (AIDS took the life of the man I was in love with, in ’91) Angels In America (picture of Sigrid Wurschmidt and Robert DiMatteo here). Here’s a sample of his chewy good dialogue. It comes right after the Sharks break into the anthem of the independentistas and exit stage right, to whistles and applause among the vecinos:

Lt Schrank (to the Jets): We’re outnumbered, boys. Thousands more are on their way…and once they’re here, they pop out kids like crazy, am I right? … Work with me, fellas! Or they’re going to drive you off your turf! … Most of the white guys who grew up in this slum climbed their way out of it. Irish, Italians, Jews… Nowadays their descendants live in nice houses and drive nice cars and date nice girls you’d want to marry. Your dads or your grandads stayed put, drinkin’ and knockin’ up some local piece who gave birth to you—the last of the Can’t-Make-It Caucasians. (beat) What’s a gang without its terrain, its turf? You’re a month or two away from finding out, one step ahead of the wrecking ball. And in this uncertain world, the only thing you can count on is me. I’m here to keep the civil peace until the last building falls. And if you boys make trouble on my turf, Riff, hand to heart, you’re headed to an upstate prison cell for a very long time. By the time you get out, this will be a shiny new neighborhood of rich people in beautiful apartments…with Puerto Rican doormen to chase trash like you away.

Okay, as exposition it’s a lee-tle too much on the nose and just a lee-tle bit too prescient. But yeah, in a little over two hundred words—really, the first big speech in this let’s face it Shakespearean play—Kushner the playwright has given us the genuine patter of a New Yorker.

[more later]


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“Glen Herbertovich Ray” Plus Jazz Waltz No.2 by Shostakovich

From 1 June 2018: I dunno, watching 6 years of The Americans put me in an operational frame of mind…so I’ve been looking back at puzzling scenes and scenarios throughout my own life, trying to put the pieces together into recognizable shape…

Above: The Concertgebouw perform Dmitri Shostakovich’s fetching and popular Jazz Suite No 2 VI, Waltz II called in our house “The Spies’ Waltz” because that’s what it sounds like


For example, that strange meeting in Loring Park under the statue of 19th century Norwegian violinist Ole Bull—was that really Mr Ray getting debriefed by a State Department/CIA guy? He always struck me as a little too European for our little Midwest hidey-hole (Minneapolis) anyway, not to mention his Russian was really, yummily good. Almost everything I know about Russia and the Russian language I first learned from Mr Ray and no one else, not even Mamoulian or Anthony Burgess.

I took Russian from Mr Ray for two years (1967-69), during which time: 1) I graduated from junior to senior high; 2) Mister Grumble was drafted, sent overseas and got shot at by the Ruskies; then halfway in 3) there were the assassinations of Martin and Bobby; and then to top it all off, 4) Richard Nixon finally gets elected president. Some ride, huh? I got in on some of the weirdness of that era, this is just one little piece.


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Theme and My Favorite Music from The Americans (2013-2018) and a Note on Yuri Nosenko

I cry at this scene every time.

For Nadezhda and Mikhail

From 30 May 2018. Selections:

NOTE: Yuri Nosenko was a false defector. The fact that he didn’t crack under three years of intense US interrogation satisfies me that he was a well-trained plant who was lying when he believed he was telling the truth / telling the truth when he believed his was lying. Thank you, KGB “doctors”. Why important? Philip and Elizabeth Jennings appeared on the scene the exact year he defected to America—1964. The year, too, my high school Russian teacher, Glen Herbertovich Ray (real name?) was debriefed after his own mysterious trip to the USSR.

More ruminating at The Assassinations here.

More notes on The Americans here.


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My Bonny John Wilson Conducts the Orchestre de Lyon for the 2023/24 New Year

Well, well, this sounds exciting. Thanks, Juliet Rózsa!

Screening Room, SF 1979

Above: From the 1940 film The Thief of Bagdad, “The Love of the Princess”.



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Peter Sellers in The World of Henry Orient with Some Elmer Bernstein Thrown In, Just for My Beloved John Wilson, Conductor for His Winding Down After Concertizing

From 2021.

Val: I love him anyway. I adore him! You can tell the whole world if you want to that I, Valerie Campbell Boyd, love and adore the great and beautiful and wonderful Henry Orient, world without end, amen. (to Marian Gilbert, shows album cover with Orient’s face) Isn’t he absolutely divine?

Marian: He really is cute…but I thought you said he needed practice.

Val: Oh Gilbert, have you no soul? Of course he needs practice. Especially on the scales. (moans) But this is LOVE, Gil! (sinks back on bed holding album) Oh, my dreamy dream of dreams! My beautiful, adorable, oriental Henry! How can I prove to you that I’m yours?

Val's in Love.jpgNovelist/screenwriter Nora Johnson had an intense teenage crush on Oscar Levant, hence the cute name for Valerie’s true love. From The World of Henry Orient (United Artists, 1964), starring Peter Sellers. The enormously inventive and amusing Elmer Bernstein score is represented here by the sweet Main Title above.


The entire film THE WORLD OF HENRY ORIENT is available to watch here


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My Beloved John Wilson Conducts The John Wilson Orchestra in a Swingin’ Christmas on BBC2, Christmas Day 2010

The man I love for your Christmas listening pleasure. No, not Michael Parkinson, that limey weed on the podium...

Above: The FULL 1h23m audio of the BBC’s Swingin’ Christmas With the John Wilson Orchestra, 2010. Big Band medley selections are listed below.

For the Big Band medley: “Skyliner” – Barnet / Charlie Barnet; “Take the A Train” – Billy Strayhorn and vocalist Joya Sherrill / Duke Ellington; “Let’s Dance” – Gregory Stone (based on von Weber’s “Invitation to the Dance”, orchestrated by Hector Berlioz) / Benny Goodman; “I’ve Got My Love to Keep Me Warm” – Irving Berlin / Ray Noble; “Begin the Beguine” – Cole Porter / Artie Shaw; “I’m Getting Sentimental Over You” – Ned Washington and George Bassman / Tommy Dorsey; “Midnight Sun” – Hampton and Sonny Burke / Lionel Hampton; “You Made Me Love You” – Monaco and McCarthy / Harry James; “Moonlight Serenade” – Miller / Glenn Miller; “Peanut Vendor” – Moisés Simons / Stan Kenton; “Woodchoppers Ball” – Joe Bishop / Woody Herman; “One O’Clock Jump” – Count Basie / Count Basie.

This is the kind of music ID-ing I used to do when I was 18 and a night solfeggist at ASCAP, John.

Composer Andrew Cottee is the show’s orchestrator-arranger.


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Silly Sexy Love Songs: “You Can Leave Your Hat On” Written by Randy Newman and Sung by Tom Jones; Plus Cultural Jamming Through Banksy! Just for My Beloved English Conductor John Wilson

Dedicated to he who makes my heart beat at 60 per.

John Wilson Banksy.gifConstructed from pic stolen from John, 2019. Source photo by Banksy

FREE DOWNLOAD! CULTURAL JAMMING THROUGH BANKSY


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Rachmaninoff’s Symphonic Dances Played by the Royal College of Music, Conducted by My Beloved Alumnus John Wilson 2013; John’s 2023 Interview on Marquee; Plus The Pretenders at The Glasshouse 24 Feb 2024!

Recorded on 7 November 2013 in the Amaryllis Fleming Concert Hall at the Royal College of Music in London.

John Wilson RCM Rachmaninov.jpgAbove John: Symphonic Dances by Sergei Rachmaninov played by the orchestra of the Royal College of Music

My beloved John Wilson returns to the Royal College of Music to conduct the RCM Symphony Orchestra in Rachmaninov’s orchestral work in three movements. The last major orchestra composition completed by Rachmaninov, the suite is based around motifs found in Russian ecclesiastical music.

NEW! John’s 4-Part 2023 Video Interview on Marquee TV

EXTRA! John’s own “First Music” as Mentioned in His Interviews

EXTRA EXTRA! Another Love Song Just for My Bonny Lad Because The Pretenders Are Playing at The Glasshouse, 24 February Next Year

Don’t get me wrong
If I’m acting so distracted
I’m thinking about the fireworks
That go off when you smile


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My First Music: Meredith Willson, and That Kennedy Thing, Part 1

This is still especially for John, my English darling, but also for anyone else who wants to read on and not give me flak for my conclusions. There is no more contentious, infighting body on the face of the earth than the Kennedy researchers, except for The Brontë Society.


Fortunately, I’m not a “Kennedy researcher”. But I remember the Friday lunchtime when President Kennedy was killed in Dallas, and initial memories turn out to be very important in reconstructing what really happened way back then. Even the memory of an eight year-old girl in 4th grade class 900 miles away counts.

So that Friday before Thanksgiving. Mrs Weisberg got a call and told us the President was dead and we went into the library to watch the TV coverage. Like a good police procedural, the suspect was apprehended almost right away, and after that all seemed to proceed as normally as a TV show: bad guy caught, law prevails, life back to normal, only normal+a little mourning (Oh, God! “Salute your father’s coffin, John-John”)+a new head of the country. Which was going to be the same country as always anyway, right?

What a different world that was then. What a bunch of saps those murdering thugs took us for.

But I want to talk about what I saw and heard in the first broadcasts, when the police and newspeople brought out Oswald and informed us that he was 24, an ex-Marine, from New Orleans, well-traveled, the father of two, with a foreign wife. (They got that info pretty fast, didn’t they. Within minutes. This before the internet. Talaga.) My kind of male? I was already interested in boys, I wanted to check him out.

He was strangely resolute in front of the camera. “Did you shoot the President and Officer Tippit?” demanded the newsman.

“No, I did not,” he replied firmly, and I was impressed by his looks, his composure, his educated, non-regionally-accented speech. The boys around me were gathering for a Hate Minute: Of course he did it! Otherwise he’d be jumping up and down hollering his innocence!

But at the age of eight-going-on-nine I had two weird revelations staring at that thin pale face.

  • One: He knows something.
  • Two: I’m probably going to marry a man like that.

So by golly, number two came true: A white southener, self-educated, self-composed, brilliant but secretive, an average-looking, average-sized man who could pass for thousands of other average men—

And—an operative of Army Intelligence. I’m looking at my blind bearded baby in front of me right now, grateful the Ruskies didn’t shoot him down on some wintry street in Prague in 1968.

In Part Two I’ll talk about ex-friend Hollywood director Stephen Gyllenhaal, his shockingly idiotic, insulting, slightly treasonous project, and Abraham Bolden, for whom I wrote the screenplay, at his personal request, Bolden: The Untold Story of JFK’s Assassination.


There is a Meredith Willson-John Kennedy connection! It’s this peppy number, which was commissioned by President Kennedy for his Council on Physical Fitness for kids like us to do their daily school calisthenics to. Some people remember this number with affection, many don’t. Robert Preston sang it and the Warner Bros orchestra played it. It’s called “Chicken Fat”. Ten times!


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Paris Trout with Dennis Hopper and Barbara Hershey, Directed by Stephen Gyllenhaal 1991, Plus Trash Talk from Some Under-Educated White Girls


From 2019: Search the term “bottle+rape+scene+dennis+hopper” and you’ll likely be sent to this entire film, my ex-friend Steve Gyllenhaal’s second feature directorial effort (at 42) and Hopper’s purportedly favorite role. Bottle rape at 42:00. There’s a creepy, dreamy, nasty edge in almost all the sex scenes of Steve’s movies, something I think he picked up from David Lynch in imitation of the form—but not the substance—of Lynch’s genius sex-weirdness… Steve, you might remember, directed the 20th episode of the 2nd season of Twin Peaks. But no, nothing of Lynch’s great vision rubbed off on Stephen; ever a journeyman, he was (and I say was, he’s no longer doing feature films, he’s making his bread shooting TED talks nowadays) more in the same bag with those mediocre, cold “auteurs” of his era John Carpenter and David Cronenberg.

If we were still talking I’d probably bring it up, but as he seems to have gone permanently off the rails with his bizarre blog (now defunct) and his equally bizarre 2012 Kickstarter(!) campaign I figure it would be pointless now.

UPDATE 11 Nov 19: Looks like Steve’s getting me in hot water again. Check out these now-archived bizarre reactions to this posting in the Hollywood Babylon group on Facebook. These females and their insulting, sexist, racist remarks impressed me so much I used their names in my latest porn novel.

UPDATE 11 Dec 2023: Lookee what I found still hanging around the internet! A full-scale takedown of me (a rehash of that takedown on the old Gawker) on a fan website dedicated to Jake Gyllenhaal—remember him?—from 2009 called OhNoTheyDidn’t, now archived here. Smelly unclean stuff. And you wonder why I dislike under-educated white girls. The book (really an academic paper, more or less) under discussion is A Poet from Hollywood: Love, Insanity, Stephen Gyllenhaal, and the Creative Process which I wrote in 2012.


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A Special Letter to My Beloved John Wilson Conductor Part 2, with More Stories About My Dad (1905-1972), Who Shares His Birthday

John, it gives me such a kick telling you about my dad, I think I’ll write about him more.

Screening Room, SF 1979

Above: The Gillette Friday Night at the Fights TV Theme by Merrick+Anderson “Look Sharp Be Sharp” conducted by Eugene Ormandy. My dad’s favorite boxers: Sonny Liston (US), World Heavyweight Champion (and yeah, I greatly regard Mohammed Ali as a person but that 1965 bout in Maine was fixedI mean, watch the film! Liston could’ve gotten up when he wanted but he purposely stayed down for the count and you can see it) —Pancho Villa (PH), World Flyweight Champion—Barney Ross (US), Lightweight, Light Welterweight, and Welterweight World Champion and loyal friend-to-the-end to Jack Ruby


He didn’t talk himself much, like a lot of other fathers I guess. He was born dirt-poor on the 25th of May, 1905 on the west coast of the big island, Luzon, on the South China Sea, in a province called Pangasinan, fabled kingdom of fabled Urduja, Warrior Queen, just like your King Arthur and yes she really lived and so did King Arthur, so there. Dad left school when he was 10, that would’ve been 1915, and went to work to support his grass widow (probably) mother. I get my Chinese heritage from dad’s distant family in Guangdong. (Catalonian and Irish from my mom.)

I don’t know how he got on for the next 12 years, but in 1927 he signed on to a cargo ship bound for San Francisco, where he ended up living for the next decade or so. SF, in some restaurant of some ex-boxer, is probably where he learned to cook, at least I’d like to think so. San Francisco is [putting finishing touches on my Kennedy piece—got some unsettling new information which I discovered on my own, absolutely NEW revelations and conjectures. You can’t believe how this is still a spooky topic in the States…I’ll finish my dad piece asap]


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The Bernstein Film That SHOULD Have Been: Leonard Bernstein’s True Love

My former nemesis, Hollywood producer-writer Naomi Foner Gyllenhaal (see Stephen Gyllenhaal), for years tried to get her project for son Jake Gyllenhaal off the ground: a film based on Bernstein’s decades-long love affair with an Israeli journalist-soldier-actor named Azaria Rapoport—the drama culminating in the 1981 premiere in Jerusalem of the conductor’s 16-minute piece for flute and orchestra, Halil (meaning flute), dedicated to young Israeli flutist-soldier (every Israeli is considered a front-line soldier) Yadin Tanenbaum, killed in the Yom Kippur war. The film was to be called Nocturne, which is how Bernstein himself described this work.

Above: Halil by Leonard Bernstein (Moscow, Maria Fedotova soloist)

But now I understand there’s a new movie out about my beloved rabbi of music that turns him into nothing more than half of some concocted New York glamour couple. Kind of like that smart-alecky piece by journalist Tom Wolfe, Radical Chic and Mau-Mauing the Flak Catchers, which was required reading in high school in Minneapolis, circa 1970; we were not-so-subtly encouraged to side with the Black Panthers (which was okay, my first boyfriend was a Black Panther) while snickering at Lenny and Felicia. This did not sit well with me at 15, a faithful viewer of Bernstein’s monthly Young People’s Concerts (all episodes here) on CBS Sunday afternoons (1958-1972). Call me a Lenny groupie, more or less. Just like Lydia Tár.


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My 2nd Anniversary of Being In Love with John Wilson, Royal College of Music Alumnus, Who Conducts His Alma Mater’s Symphony Orchestra in 2018, and the Sinfonia of London in 2022, in Ravel’s “La valse”

From 4 May, 2020. For two years, longing for my beloved John Wilson has impinged on my usual output of actual writing, which once dealt mostly with The Assassinations+the occult and I have got to channel that particular energy somewhere

Now, on the second anniversary of The Day I Fell In Love With John Wilson, what should I stumble upon but this video of the Royal College of Music playing Ravel conducted by my beloved alumnus (1990-94).

RCM Symphony John Wilson.jpgMaurice Ravel described his work, written in 1919: “Through whirling clouds, waltzing couples may be faintly distinguished. The clouds gradually scatter: one sees at letter A an immense hall peopled with a whirling crowd. The scene is gradually illuminated. The light of the chandeliers bursts forth at the fortissimo letter B. Set in an imperial court, about 1855.” In the accompanying podcast bonny John asserted that “La valse” is about social disintegration. Another reason for me to get into his head. Above: Audio of John conducting the Sinfonia of London in this piece for Chandos (2022).


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