
It isn’t every day I run into a blog or site that contains more than one comprehensive and knowledgeable review of John’s recordings, but this morning I found a treasure trove over at David’s Classical CDs. David Rowe, a retired banker and musician, lives up in the tranquil Rockies with his life partner, 10,000 CDs, and a state-of-the-art sound system. Is that paradise or what?
- 11July24 Second installment from Fuchs and Wilson
- 29Apr24 Manic vibrato frenzy continues in Wilson’s latest album for strings
- 22Feb24 A terrific new symphony by Adam Pounds. And a strange reading of Berkeley’s rare Divertimento
- 24Dec23 The year in review: the Best, the Worst, and some I haven’t written about yet
- 07Dec23 Wilson’s Daphnis et Chloe is a disappointment
- 17Sep23 Kenneth Fuchs’ artistry reaches fruition with the prodigious help of John Wilson
- 02Jun23 It’s time to take John Wilson seriously. Seriously
- 03Mar23 Third in a series featuring the strings of the Sinfonia of London
- 12Nov22 Sit back and wallow in the splendor of it all. We finally have a worthy successor to Charles Gerhardt in this music
- 02May22 The Korngold is marvelous. The rest is a little intense
- 05Apr22 Seductive Ravel from Oramo and the BIS engineers
- 31Mar22 Another enjoyable concert from John Wilson, but I have some issues with Chandos on this one
- 13Jun21 Another splendid Chandos SACD from Wilson and company
- 23Feb21 Glorious music-making; glorious sound. And it’s SACD too!
- 31Aug20 An atmospheric Roman trilogy. But not the most exciting
- 25May20 Wonderful follow-up in the series. But, alas, it’s not SACD
- 10Oct19 More Coates from John Wilson? Odd
- 18May19 Volume 3 is here. And it’s the one that we didn’t need
David Rowe is proud of his sound system and I’ve learned a few new technological terms from him to help me sound intelligent when I talk about John’s recordings myself (for example SACD, I never knew what that meant and didn’t care…I still kind of don’t). But being a retired musician, he also listens to John’s recordings with a discriminating ear and lets you know when he thinks John’s at his best or just phoning it in. (We’re pretty much in accord here. I love John—I’m crazy IN love with him—but dammit, he can be hit-or-miss.)
Rowe also has nice things to say about John’s Symphony in F by Erich Korngold; his Cloud Slant by Kenneth Fuchs; his Symphony No.3 by Adam Pounds. He calls Hollywood Soundstage “sensational”, and it is. Here are my favorite cuts from this album that make me dream luscious dreams of my sweet Geordie lad from Low Fell:
- Erich Korngold, orchestration by Hugo Wilhelm Friedhofer + Milan Roder: Elizabeth and Essex (Warner Bros,1939)
- David Raksin, orchestration by composer: Laura (20th Century Fox, 1944)
- Harold Arlen+Herbert Stothart, orchestration by George Bassman+Murray Cutter+Leo Arnaud: The Wizard of Oz (MGM, 1939)
- Max Steiner, orchestration by Hugo Wilhelm Friedhofer: Now, Voyager (Warner Bros, 1942)
- Frederick Loewe, orchestration by Alexander Courage: Transylvanian March and Embassy Waltz from My Fair Lady (Warner Bros, 1956)
- Johnny Mandel, orchestration by composer: The Sandpiper (MGM, 1965)
- Franz Waxman, orchestration by Leonid V Raab: Rebecca (Selznick, 1940)
- Alfred Newman, orchestration by Edward B Powell: How to Marry a Millionaire (20th Century Fox, 1953)
- NOTES for Hollywood Soundstage (Chandos 2022)